So, turns out you don't need to read the books or watch the first movie in order to understand the second. I wonder how does that work to people who actually did bother with the above? Does it feel like an unnecessary introduction? Hmmm.
Anyway, good parts = Jennifer Lawrence is ♥. Also Woody Harrleson. And Lenny Kravitz and Elizabeth Banks although there isn't enough of them in the movie. Actually, there isn't enough Woody, either. Instead we have two guys with the charisma of a dead shoe. Dear lesser Hemsworth - even your brother has more charisma than you do, and I thought he had no charisma at all. As for Josh Hutcherson, don't get me started.
Movie-wise... omg. Why is no one trying to make YA movies actually movies? It's something that plagues most of HP as well, although I did feel 5 and 7 (as in DH part one, definitely not part 2) managed to transcend that, especially DH1. But seriously. The scenes are disconnected. Everything that isn't about the hero is shut out - and it's frustrating in a movie like Hunger Games, because the world actually has a crucial role in both the plot and the message. Well... show the world, then, don't just paint some broad strokes and be done with it! Grrr. Make us care about the world. Stop hinting then cutting away to some uninteresting nonsense. That's the thing. At 2.5 hours, it both felt too long and too short, because they decided to focus on all the wrong things (Josh Hutcherson. Honestly. Josh Hutcherson). It's time YA adaptations stopped being afraid of being movies and departing from the source material, in favour of actually being movies.
Don't get me wrong, it was actually quite quite entertaining, just frustrating because you can see there's stuff beneath the surface that they don't dare touch because, apparently, someone has decided that it's not that kind of a movie. Exactly the same problem as Goblet of Fire and DH2. Sometimes you need to care less about your hero and more about their surroundings.
Also, when that hero is Jennifer Lawrence, I'm okay. ♥ Although, really, if charimas-less Peeta would have let Woody take his place, I would have been so much happier.
Because I made a post but then I realised... not much point to it. I mean, I'm busy, my students need to learn what university level is, I hate my roommate, I have a rat in my apartment (seriously. And unlike the previous one, this bastard is fucking clever.), same old same old.
So instead, a stolen meme! From lostspook, naturally.
Give me a topic, and at some point in the next few weeks I'll ramble about it. It can be anything from fandom-related (TV shows, books, computer games) to life-related (aspirations, identity, political beliefs) to pizza preferences* to whatever you want.
My rambles will probably be brief, or not, depending on the subject.
Also, I reserve the right to decline prompts that I don't feel equipped to meet.
*I don't like pizza. Honestly. Also, I think I've ranted a lot about my political beliefs so you guys probably know all about them as it is, but feel free to ask anyway.
This is the first Doctor Who episode I've seen since the 3 episodes I've seen from s6 - I have not seen the show regularly since The Big Bang. And y'know what? I felt like I've already seen this episode 3 times.
It's the law of diminishing returns. You see this in long television shows without an arc-plan where the same creative team stays on for years and years. I should know, I am/was a Stargate fan. There comes the time when the writers simply exhausted everything they had to say about a certain world, certain characters, certain situations. There are a lot of ways of countering it. Sometimes they add characters, kill old ones, make a radical change in setting... You see this in Doctor Who so much. Change the Doctor. Change the companion. Change the setting - is he stuck on Earth or having a setting? Are we doing episode of the week or is there an arc? Is the Doctor happy-go-lucky or PTSDed or bored or having a meltdown? That's why Doctor Who has been so incredibly successful even after years and years. It's so easy to change everything.
And there comes the time when even that isn't enough. There comes the time when the head writer needs to realise the problem isn't the format, or the characters, or the setting. It's him. There comes the time when the writer needs to be honest with himself and realise that he's said and done everything he ever had in mind for the show. And it is time for him to move on from it.
Because the show isn't bad. That's the thing. That's the most awful thing about it all. It's not bad. Steven Moffat has not driven it to the ground. It's not atrocious, or the acting ridiculous, or the setting boring, or the characters uninteresting (well, this was my first encounter with Clara and she came off as the a one-note Feisty Moffat Companion (TM), but let's focus on the Doctor here). It really isn't that. It's that he's not even trying anymore. There is something admirable in going for something completely ambitious and falling on your arse. But that's not what Moffat is doing. He's foregone ambitious. Now he's just telling the same old story, again and again and again. Using the same old tricks, again and again and again. The thing about using a formula is that you know that it works. But as long as you use the formula, you can't try anything else. You can't fail - but you can't shoot higher than what the formula allows you to. Steven Moffat comes off as a writer who is too afraid to fall on his arse. He's too afraid to shoot for something completely different and fail. He's being complacent.
The show isn't bad. It's just stagnant and mediocre. Which is worse than bad.
My opinion of Day of the Doctor? Dear Steven Moffat, it's time for you to leave Doctor Who and go pursue something completely different. Give the show to someone else. Someone with their own ideas and dreams, someone with their own ambitions, someone who will dare try, even if it means they might fail.
"Science fiction can be defined as that branch of literature which deals with the reaction of human beings to changes in science and technology." - Isaac Asimov
This post isn't about how Elysium fails as a movie, although I could write a loooooot about that too. No, it's about how it fails, specifically, as a science fiction
movie. It probably comes not just because I spent 90% of the movie going 'really?!', but a) if you remember my reaction to Star Trek Into Darkness, the mishandling of science fiction lately really is starting to get on my nerves, and b) because, like when often is the case when people who are not interested in science fiction are exposed to science fiction, I heard a lot of good things about Elysium, which not only caused my disappointment, but made me think about how it fails as science fiction specifically.( Reasons 5-to-1 on why this is very bad science fiction, also, spoilers.Collapse )
So, I, uh, got roped in by lost_spook
to do trope bingo
. Which is probably not completely clever seeing as I'm not here for half of the month (I'm going on the trip with Tsilhqot'in in two days!!!!! OMG OMG OMG and HORSES.) and the fact that the last time I wrote a fic was in January and since then I dropped out of hp_friendship
because I wasn't in the right mindset to write for the past two months. I think I need to re-read HP or something to get back into the mindset, but I don't have the time because at any given moment I have about 10 linguistics books and/or books about First Nations people and history and culture looking at me accusingly and telling me I need to go read them.
So this is probably unwise. But LOOK I HAVE A CARD. And it is PERFECT.
| character in distress
|| au: apocalypse
|| au: fantasy
|| handcuffed / bound together
| trust and vows
|| secret twin / doppelganger
|| sharing a bed
| unexpected friendship
|| bets / wagers
| au: space
| poor communication skills
|| language and translation
|| au: college / highschool
|| coming out (of the closet)
|| au: alternate gender norms
| in vino veritas / drunkfic
|| au: other
|| au: mundane
|| au: romance novel
|| presumed dead
and looooooook at that first column. And then from that bottom square up in a diagonal line. Why hello there, Bruce/Selina who will probably be meeting Lois Lane and possibly Clark Kent down the line.
I need a Bruce/Selina icon. Sigh.
, or as she is known in these parts, She Who Gets Meme Stolen From.
Because why not? It's more enjoyable than syntax!
Give me a number and I'll answer the question (or try to anyway):
1. Which is your favorite of the fics you’ve written for [name of fandom]?
2. Favorite piece overall?
3. Which was the hardest to write, in terms of plot?
4. Which has the most “you” in it, however you’d define that?
5. What is an image/set of images that you’re particularly proud of?
6. Idea that you always wanted to write but could never make work?
7. Least favorite plot point/chapter/moment?
8. Favorite plot point/chapter/moment?
9. Favorite character to write?
10. Favorite line or lines of dialogue that you’ve written
11. If I’m showing off just one of your pieces to someone, which one should it be?
12. What WIPs do you have going now? Are you excited about them?
13. Are there any things that might have happened in any of your stories, but you changed them at the last minute? (So-and-so dies, they don’t actually kiss, main character has long extended ballet-based dream sequence, etc.)
14. Would you want to write canon for any of your fandoms (like be hired by showrunner to do an episode)? Which one?
15. Does font matter to you when you’re writing a draft?
16. 3 favorite comments ever received on fanfic.
17. Any mean comments? How’d you deal with it? Who laid the smackdown?
18. If you could go back and revise one of your older stories, which would it be?
19. Do you make up scenes at work/on the bus/at the gym? Who are the characters that pop up the most? Do you write them down?
20. Go nuts, and talk about writing. Or write me a little ficlet-whatsit using a character/image/line I shall now specify—
So the PM's office cancelled the participation of a professor from Tel Aviv university in a meeting between Israeli academics and Angela Merkel because of criticism she voiced at the government.
... Somewhere in there, I'm sure the irony is very funny. Somewhere. From where I'm standing, it's just a reminder of the lose-lose situation of Israeli academia.
I think I'm the easiest person to convert in the world, or: Okay, Nolan completely convinced me about the whole IMAX thing, and he wasn't even trying (well, he wasn't trying me specifically, I suspect he's trying to convince the world in general).
Here's the thing about 3D - it doesn't work too well for me. My glasses have a very high number (like, really high number. I'm pretty much blind without them). So putting on 3D glasses a) annoys me and is uncomfortable like hell, b) gives me headache and c)my eyes/brain/whatever can't catch up with the action when the camera is moving fast so I see half the movie blurry.
IMAX manages to give me the effect that's supposed to come with 3D, without the headache and the blurryness.
Also... it's incredible how easily you see what was shot on IMAX and what was converted. And he's right - what was shot on IMAX simply looks better. The focus is a lot smaller, which makes the whole background unfocused by the bits that are in focus are so incredibly sharp and look so gorgeous. So, TDKR on IMAX - looks gorgeous!!
As for the film... *sigh of relief*. When I rewatched the Avengers I was really disappointed - it doesn't hold up on second viewing. Once you're out of the SHINY!! zone, you realise the scenes are barely connected and it's completely the "and then and then and then" type of storytelling which I just hate so much. TDKR - holds its ground on second viewing. In a way, it's even better. Now that we got the annoying plothole out of the way, I'm not sitting there pissed off about it and how it undermines the entire fucking story they've been telling for 2.5 movies (!!! okay. I'm still a little bit pissed off about that ;) ) and I could enjoy the second half of the film for what it was. I still think the first half is so much better, but I enjoyed the second half much more. And whoa... Bruce/ Selina. ♥ Seriously, the entire film lifts up in every scene they're together. And there aren't enough of those :((((
Lynch in Palestinian teenagers right at the centre of Jerusalem
I wish I could say I am surprised. But I'm not. That's the scary bit.
It's this impotent rage, really. Y'know, there's always these ideas about how you can say enough and it will stop, but that's not going to happen. The amount of people who are disgusted by the racism and the violence and the occupation and who care enough to say something is growing smaller by the day. People in supposed positions of power in education either have to stay quiet or get fired, like the head of the citizenship studies in the ministry of education who tried to fight the nationalistic tide there. They're brainwashing the teenagers in school and put much more emphasis on teaching them to be soldiers - and nationalistic, violent soldiers at that, they're harping on Iran Iran Iran 24/7 to distract from everything else, the people who were trying to protest were too scared to point out the connection to politics so yeah, that's shot to hell and now they've been taken over by the people who care more about saying how the ultra orthodox need to serve in the army than figure out how the militaristic approach is killing civilian society and since the rest dare not go political they just go along with it and there is nothing nothing nothing that can be done. Educating doesn't help. Protesting doesn't help. The Supreme Court is already being taken care of by the government. Knowing history doesn't help, if you don't understand it you're bound to repeat it and that's where we're going.
Anyway, to stop my string of whinage about life/syntax/moving/politics/me being silly (delete as applicable) I shall... *drumroll* rec fic!
At first I was like, "but I never rec fic!" Then I realise I actually do - only in Calufrax and not in my journal. Seeing as this is not Doctor Who and I don't know of any comm that's relevant, I think this is the place. I realised that most of my flist couldn't possible care less about HP or TDKR, but a) you lot do like friendship fics, so reccing from hp_friendship
could possibly work, esp. as almost all of you have read HP (except for justice_turtle
, but he's just weird that way). The Batman recs... well... I feel like it. Y'know, exciting, new film released I actually cared about enough to read & write fic just as everyone's starting to!
Aaaanyway. From hp_friendshipWhat Always Has Been
is a lovely Neville & Ginny-centric fic about how they were friends all throughout Hogwarts (while the Trio continually ignored and underestimated them, cough). It's very real, very sweet, it actually remembers that Ginny was possessed by Voldemort and that it's going to have long time ramifications, and it's just lovely. Mad Dogs and Scotsman
is the tale of how Emmeline Vance helped Moody get over being locked up in his own trunk for 9 months in GoF. Now, I know what you're going to ask: Who the hell is Emmeline Vance. That's the best thing about this fic. Emmeline Vance is one of those throwaway names, she's mentioned about twice in OotP then we're told she was killed in the beginning of HBP. So basically, an OC, and the author managed to write a very real person (and a great fic) in such a short fic (about 2000 words) and really bring life to this character. Also, it's awesome. The Secret of Black Hall
the Enid Blyton fans out there. Very very Blyton-esque fic about the two canon Squibs (Mrs Figg and Filch) when they were kids during WW2. It also treats a bit how it is being a Squib, which really isn't something that's done often enough.Within A Morning Star
is long. Okay, very long, 15K. It's also all OCs. And it's really worth it. The premise is to look at a bunch of fifth years in Hogwarts during DH, ie what the kids who aren't the Trio and/or the DA are doing during the war. It was gorgeous and very very realistic. It doesn't take shortcuts and it doesn't make excuses and at the same time it doesn't condemn people for being, well, people. Also, it doesn't feel like 15K because it's made of very short segments.Five People Who Insisted on Being Friends with Severus Snape
is just... aaaah! It's canon Snape! As a child! And then he grows up! And it's all in character! And touching and brilliant and very Harry Potter, and yeah, go read it. It's made of 5 segments, each a different relationship with someone in Snape's life, and there are some really cool gems in there (for example, any and all interactions with McGonagall). Did I also mention how IC and canon-y Snape is in this? It's very hard to fine fics about Snape as he is in canon*, so I completely cherish this one.
And lastly from that fest... The Peculiar Resilience of the Refugee
is a great Petunia centric fic taking place post DH. Petunia and Dudley can't go back to their old lives, so they ended up living among wizards, in this case Madam Rosmerta from the Three Broomsticks. It does a good redemption job on Petunia and confronts her with some of the unpleasant stuff she did and remains loyal to the character. Hurrah!
*As long as I'm rambling about brilliant touching incredible canon Snape fics, Pasi's Into the Fold
. It's loooooooong (seriously. 160k or so. I'm a filthy hypocrite, I can write huuuuuuuge fics like War is Over and Inter Arma, but I rarely read them. This one I read over one weekend and couldn't stop. It's got everything. Really. If you've ever enjoyed Snape, go read this.)
And now for Batman. ( From here there be spoilers...Collapse )